TEARS OF NATURE
Preludio translates in a simple and minimal way what appears necessary and vital today: the movement of bodies in space, and the meeting between them. Observing from the smallest of relationships to the largest of them, we notice that they are made of movement and encounter in its infinite and different forms. Prelude brings on stage a duet between a harp and a dancer, celebrating the encounter, which is only possible thanks to that very movement. Until it produces a new movement: a dialogue of movements that we call sound and gesture, sometimes they walk together, drawing synchronic landscapes , at times they disintegrate, opening chasms, incessantly looking for a way to share a time and a space.